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A Million Little Pieces, by James Frey
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At the age of 23, James Frey woke up on a plane to find his front teeth knocked out and his nose broken. He had no idea where the plane was headed nor any recollection of the past two weeks. An alcoholic for ten years and a crack addict for three, he checked into a treatment facility shortly after landing. There he was told he could either stop using or die before he reached age 24. This is Frey’s acclaimed account of his six weeks in rehab.
- Sales Rank: #13869 in Books
- Brand: Anchor
- Published on: 2005-09-22
- Released on: 2005-09-22
- Original language: English
- Number of items: 1
- Dimensions: 7.98" h x .99" w x 5.20" l, .75 pounds
- Binding: Paperback
- 448 pages
Features
Amazon.com Review
Book Description
At the age of 23, James Frey woke up on a plane to find his front teeth knocked out and his nose broken. He had no idea where the plane was headed nor any recollection of the past two weeks. An alcoholic for ten years and a crack addict for three, he checked into a treatment facility shortly after landing. There he was told he could either stop using or die before he reached age 24. This is Frey’s acclaimed account of his six weeks in rehab.
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The electrifying opening of James Frey's debut memoir, A Million Little Pieces, smash-cuts to the then 23-year-old author on a Chicago-bound plane "covered with a colorful mixture of spit, snot, urine, vomit and blood." Wanted by authorities in three states, without ID or any money, his face mangled and missing four front teeth, Frey is on a steep descent from a dark marathon of drug abuse. His stunned family checks him into a famed Minnesota drug treatment center where a doctor promises "he will be dead within a few days" if he starts to use again, and where Frey spends two agonizing months of detox confronting "The Fury" head on:
I want a drink. I want fifty drinks. I want a bottle of the purest, strongest, most destructive, most poisonous alcohol on Earth. I want fifty bottles of it. I want crack, dirty and yellow and filled with formaldehyde. I want a pile of powder meth, five hundred hits of acid, a garbage bag filled with mushrooms, a tube of glue bigger than a truck, a pool of gas large enough to drown in. I want something anything whatever however as much as I can.
One of the more harrowing sections is when Frey submits to major dental surgery without the benefit of anesthesia or painkillers (he fights the mind-blowing waves of "bayonet" pain by digging his fingers into two old tennis balls until his nails crack). His fellow patients include a damaged crack addict with whom Frey wades into an ill-fated relationship, a federal judge, a former championship boxer, and a mobster (who, upon his release, throws a hilarious surf-and-turf bacchanal, complete with pay-per-view boxing). In the book's epilogue, when Frey ticks off a terse update on everyone, you can almost hear the Jim Carroll Band's brutal survivor's lament "People Who Died" kicking in on the soundtrack of the inevitable film adaptation.
The rage-fueled memoir is kept in check by Frey's cool, minimalist style. Like his steady mantra, "I am an Alcoholic and I am a drug Addict and I am a Criminal," Frey's use of repetition takes on a crisp, lyrical quality which lends itself to the surreal experience. The book could have benefited from being a bit leaner. Nearly 400 pages is a long time to spend under Frey's influence, and the stylistic acrobatics (no quotation marks, random capitalization, left-aligned text, wild paragraph breaks) may seem too self-conscious for some readers, but beyond the literary fireworks lurks a fierce debut. --Brad Thomas Parsons
From Publishers Weekly
Frey is pretender to the throne of the aggressive, digressive, cocky Kings David: Eggers and Foster Wallace. Pre-pub comparisons to those writers spring not from Frey's writing but from his attitude: as a recent advance profile put it, the 33-year-old former drug dealer and screenwriter "wants to be the greatest literary writer of his generation." While the Davids have their faults, their work is unquestionably literary. Frey's work is more mirrored surface than depth, but this superficiality has its attractions. With a combination of upper-middle-class entitlement, street credibility garnered by astronomical drug intake and PowerPoint-like sentence fragments and clipped dialogue, Frey proffers a book that is deeply flawed, too long, a trial of even the most na‹ve reader's credulousness-yet its posturings hit a nerve. This is not a new story: boy from a nice, if a little chilly, family gets into trouble early with alcohol and drugs and stays there. Pieces begins as Frey arrives at Hazelden, which claims to be the most successful treatment center in the world, though its success rate is a mere 17%. There are flashbacks to the binges that led to rehab and digressions into the history of other patients: a mobster, a boxer, a former college administrator, and Lilly, his forbidden love interest, a classic fallen princess, former prostitute and crack addict. What sets Pieces apart from other memoirs about 12-stepping is Frey's resistance to the concept of a higher power. The book is sure to draw criticism from the recovery community, which is, in a sense, Frey's great gimmick. He is someone whose problems seem to stem from being uncomfortable with authority, and who resists it to the end, surviving despite the odds against him. The prose is repetitive to the point of being exasperating, but the story, with its forays into the consciousness of an addict, is correspondingly difficult to put down.
Copyright 2003 Reed Business Information, Inc.
From School Library Journal
Adult/High School-Frey's high school and college years are a blur of alcohol and drugs, culminating in a full-fledged crack addiction at age 23. As the book begins, his fed-up friends have convinced an airline to let him on the plane and shipped him off to his parents, who promptly put him in Hazelden, the rehabilitation clinic with the greatest success rate, 20 percent. Frey doesn't shy away from the gory details of addiction and recovery; all of the bodily fluids make major appearances here. What really separates this title from other rehab memoirs, apart from the author's young age, is his literary prowess. He doesn't rely on traditional indentation, punctuation, or capitalization, which adds to the nearly poetic, impressionistic detail of parts of the story. Readers cannot help but feel his sickness, pain, and anger, which is evident through his language. Ken Kesey's One Flew over the Cuckoo's Nest (Viking, 1962) seems an apt comparison for this work-Frey maintains his principles and does not respect authority at all if it doesn't follow his beliefs. And fellow addicts are as much, if not more, help to him than the clinicians who are trying to preach the 12 steps, which he does not intend to follow in his path to sobriety. This book is highly recommended for teens interested in the darker side of human existence.
Jamie Watson, Enoch Pratt Free Library, Baltimore
Copyright 2003 Reed Business Information, Inc.
Most helpful customer reviews
1 of 1 people found the following review helpful.
2 1/2. Way over hyped
By Patrick A. Kellner
"A Million Little Pieces" by James Frey
James Frey awakens to find himself on a commercial airliner bound for Chicago. Apparently he has been placed on the plane by a doctor and will be met by his parents when he lands who will deliver him to one of the best addiction treatment centers in the country. Although only 23, James' addiction to alcohol and crack amongst other things has done substantial damage to his body and if he doesn't quit now it isn't likely that he will see 24.
As a stand alone "Fiction" book, "A Million Little pieces" isn't too bad. As a factual memoir it isn't too great. Obviously since its release Frey has come out and admitted that many parts of the book were embellished. My only question is how did anyone believe it was true to begin with? There is no point in rehashing all the details, but there is no shortage of things in this book that are not believable in the least and it makes you wonder how Oprah and crew so easily had the wool pulled over their eyes.
The Good: The story is somewhat compelling and places the main character in some interesting situations and the character himself while not a likeable person definitely has an interesting history and is probably the only redeeming characteristic of this book.
The Bad: Normal punctuation and grammatical rules are completely ignored in this book. This was completely annoying because you are never quite sure when someone is speaking and when they stop. The way the author tries to remedy this was quite annoying as well ala:
Leonard speaks
That's it?
I don't know if this is supposed to be an extension of the author/character's `rebel, rebel, down with rules' attitude but it just makes for an annoying read.
As stated the main character is not likeable so this makes it hard to root for him or care about him in any way. This is compounded by the character's constant chest puffing attitude towards the center's staff and doctors and his constant proclamations that he doesn't need to do it their way. The lack of believability also makes it tough to suspend disbelief (even though it is fiction).
Overall: With all the hype surrounding and even Oprah getting behind it I was expecting something solid. What I got was something so so. If this genre interests you give "Futureproof: A Novel (P.S.)" a try.
1 of 1 people found the following review helpful.
Well written, though contrived
By Emily Greitzer
I have no real qualms with this book other than the deception of calling it a memoir. Part of the appeal of reading a memoir is trusting that the author is being honest and forthcoming with his account. I knew when I began reading this book that it was exaggerated but while I was reading I found myself unable to believe most of it had even happened. It just smacked of fiction. It seemed unrealistic in parts, and I felt the misuse of the label "memoir" was highly ironic considering how much Frey cites honesty/accountability as being crucial parts of healing from addiction in the book. The eclectic and chaotic writing style was compelling, and I felt easy to read but if you're looking for an accurate, believable memoir of addiction I wouldn't read this book.
1 of 2 people found the following review helpful.
True or False It's Still A Great Read
By Brett Benner
Halfway through this book the media explosion happened with The Smoking Gun claiming the book was more a product of great imagination than actual fact. I refused to read the article until I had finished the book so I wouldn't be influenced by any seeds of doubt. First off, regardless of truth or fiction, the book is a powerhouse. Like strapping yourself into the first car of a rollercoaster that combines velocity with hairpin turns, it grabs you from the first paragraph, and doesn't let go. Reading it I was shocked that this was an Oprah selection, and couldn't imagine her viewers digesting this,littered as it is with cursing, and vivid descriptions of bodily functions, fluids, and the most horrific dentist scene since 'Marathon Man'. Frey has since admitted he's embellished elements of the story to heighten the drama, and after finishing it, that seems clear, especially the slightly sappy and melodramatic 'David and Lisa',like fractured souls falling in love in rehab, and an incident with a Priest in Paris. However that's a small blip in what is a great read regardless of if some, all, or none of it really happened.
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