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3D Warhol: Andy Warhol and Sculpture (International Library of Modern and Contemporary Art), by Thomas Morgan Evans
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Rain machines; alarmed kosher pickle jars filled with gemstones; replica cornflakes boxes; ‘disco d�cor’; time capsules; art bombs; birthday presents; perfume bottles and floating silver pillows that are clouds; paintings that are also films; museum interventions; collected and curated projects; expanded performance environments; holograms. This is a book about the vast array of sculptural work made by Andy Warhol between 1954 and 1987, a period that begins long before the first Pop paintings and ends in the year of his death. 3D Warhol brings to the forefront a major, but overlooked aspect of Warhol’s oeuvre and provides an essential new perspective on the artist’s legacy.
- Sales Rank: #4516088 in Books
- Published on: 2017-01-30
- Original language: English
- Number of items: 1
- Dimensions: .0" h x .0" w x .0" l, .0 pounds
- Binding: Hardcover
- 264 pages
Review
3D Warhol is a fascinating exploration of a facet of Warhol’s work that is often ignored. Thomas Morgan Evans examines Warhol as an artist rather than a media personality, comparing his work to a wide selection of contemporaries including Basquiat, Mel Bochner, Wolfgang Tillmans, Donald Judd, Carl Andre and Jeff Koons. This book is indispensable for anyone interested in the work of Andy Warhol… highly recommended. (Gary Comenas, Founder of Warholstars.org)
By critically investigating the artist’s underappreciated sculptural work, 3D Warhol fills a crucial gap in Warhol scholarship. And it does so with aplomb, delving confidently into a wide range of familiar and unfamiliar objects, illuminating the ways in which they exploit and undermine traditional sculptural aesthetics. At once erudite and accessible, 3D Warhol provides an ideal introduction to the depth and breadth of Warhol’s remarkable career. (Anthony Grudin, Assistant Professor of Art History, University of Vermont)
About the Author
Thomas Morgan Evans is a Henry Moore Post-Doctoral Fellow. He has a PhD in art history from UCL. He is an editorial board member of the peer review journal, Object, and contributes to a number of other art publications.
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